Tina Fey Signs Off, Broken Barriers Behind Her

’30 Rock’ Finale: The NBC sitcom starring Tina Fey and Alec Baldwin ends on Thursday.

By ALESSANDRA STANLEY, NYT

Tina Fey leaves prime time television pretty much the way she entered it seven years ago, as a sly observer who bites the network that feeds her so much material.

Ending its run on Thursday night, “30 Rock,” the show Ms. Fey created, helped write and starred in, was a witty sendup of network television that cut uncannily close to the bone. It seemed at times almost like a transcript of production meetings at the NBC headquarters, at 30 Rockefeller Center. Ms. Fey made use and fun of everything that NBC holds sacred, including product placement, corporate synergy and some of its most venerable stars.

In a recent episode Ms. Fey’s character, Liz Lemon, is thrilled to be included in a celebration of “80 under 80.” Liz explains that the event honors “women in entertainment who aren’t Betty White.”

It’s funny, but the remark is also Ms. Fey’s way of deflecting attention from her own stature. For a new generation of female writer-performers who now have their own sitcoms, at least partly thanks to her, Ms. Fey is the new Betty White, a figure so accomplished, beloved and irreproachable that it’s almost impossible not to joke about her.

On “The Mindy Project,” on Fox, the doctor played by Mindy Kaling (like Ms. Fey, Ms. Kaling is the creator as well as the star of her show) riffles through an asthmatic male co-worker’s shoulder bag for an inhaler. She finds among other things a copy of Ms. Fey’s best-selling book, “Bossypants,” and demands to know why he is reading it.

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