Egghead and Blockheads
By MAUREEN DOWD
NYT
WASHINGTON
THERE are two American archetypes that were sometimes played against each other in old Westerns.
The egghead Eastern lawyer who lacks the skills or stomach for a gunfight is contrasted with the tough Western rancher and ace shot who has no patience for book learnin’.
The duality of America’s creation story was vividly illustrated in “The Man Who Shot Liberty Valance,” the 1962 John Ford Western.
Jimmy Stewart is the young attorney who comes West to Shinbone and ends up as a U.S. senator after gaining fame for killing the sadistic outlaw Liberty Valance, played by Lee Marvin. John Wayne is the rancher, a fast-draw Cyrano who hides behind a building and actually shoots Marvin because he knows Stewart is hopeless in a duel. He does it even though they’re in love with the same waitress, who chooses the lawyer because he teaches her to read.
(More here.)
NYT
WASHINGTON
THERE are two American archetypes that were sometimes played against each other in old Westerns.
The egghead Eastern lawyer who lacks the skills or stomach for a gunfight is contrasted with the tough Western rancher and ace shot who has no patience for book learnin’.
The duality of America’s creation story was vividly illustrated in “The Man Who Shot Liberty Valance,” the 1962 John Ford Western.
Jimmy Stewart is the young attorney who comes West to Shinbone and ends up as a U.S. senator after gaining fame for killing the sadistic outlaw Liberty Valance, played by Lee Marvin. John Wayne is the rancher, a fast-draw Cyrano who hides behind a building and actually shoots Marvin because he knows Stewart is hopeless in a duel. He does it even though they’re in love with the same waitress, who chooses the lawyer because he teaches her to read.
(More here.)
Powered by Blogger
0 Comments:
Post a Comment
<< Home