Broadway and the Mosque
By THOMAS L. FRIEDMAN
NYT
There are several reasons why I don’t object to a mosque being built near the World Trade Center site, but the key reason is my affection for Broadway show tunes.
Let me explain. A couple weeks ago, President Obama and his wife held “A Broadway Celebration: In Performance at the White House,” a concert in the East Room by some of Broadway’s biggest names, singing some of Broadway’s most famous hits. Because my wife is on the board of the public TV station that organized the evening, WETA, I got to attend, but all I could think of was: I wish the whole country were here.
It wasn’t just the great performances of Audra McDonald, Nathan Lane, Idina Menzel, Elaine Stritch, Karen Olivo, Tonya Pinkins, Brian d’Arcy James, Marvin Hamlisch and Chad Kimball, or the spirited gyrations of the students from the Joy of Motion Dance Center and the Duke Ellington School of the Arts performing “You Can’t Stop the Beat” — it was the whole big, rich stew. African-American singers and Hispanic-American dancers belting out the words of Jewish and Irish immigrant composers, accompanied by white musicians whose great-great-grandparents came over on the Mayflower for all I know — all performing for America’s first black president whose middle name is Hussein.
The show was so full of life, no one could begrudge Elaine Stritch, 84, for getting a little carried away and saying to Mr. Obama, seated in the front row: “I’d love to get drunk with the president.”
(More here.)
NYT
There are several reasons why I don’t object to a mosque being built near the World Trade Center site, but the key reason is my affection for Broadway show tunes.
Let me explain. A couple weeks ago, President Obama and his wife held “A Broadway Celebration: In Performance at the White House,” a concert in the East Room by some of Broadway’s biggest names, singing some of Broadway’s most famous hits. Because my wife is on the board of the public TV station that organized the evening, WETA, I got to attend, but all I could think of was: I wish the whole country were here.
It wasn’t just the great performances of Audra McDonald, Nathan Lane, Idina Menzel, Elaine Stritch, Karen Olivo, Tonya Pinkins, Brian d’Arcy James, Marvin Hamlisch and Chad Kimball, or the spirited gyrations of the students from the Joy of Motion Dance Center and the Duke Ellington School of the Arts performing “You Can’t Stop the Beat” — it was the whole big, rich stew. African-American singers and Hispanic-American dancers belting out the words of Jewish and Irish immigrant composers, accompanied by white musicians whose great-great-grandparents came over on the Mayflower for all I know — all performing for America’s first black president whose middle name is Hussein.
The show was so full of life, no one could begrudge Elaine Stritch, 84, for getting a little carried away and saying to Mr. Obama, seated in the front row: “I’d love to get drunk with the president.”
(More here.)
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