La Cage aux Democrats
By FRANK RICH
NYT
THE most potent word in our new president’s lexicon — change — has been heard much less since his inspiring campaign gave way to the hard realities of governing. But on Tuesday night, the irresistible Obama brand made an unexpected and pointed cameo appearance on America’s most popular television show, “American Idol.” In the talent competition’s climactic faceoff, the song picked for one of the two finalists, Adam Lambert, was Sam Cooke’s soul classic, “A Change Is Gonna Come.”
Cooke recorded it in January 1964. Some four months earlier he had been arrested when trying to check into a whites-only motel in Shreveport, La. “It’s been a long, long time coming,” goes the lyric. “But I know a change is gonna come, oh yes it will.” Cooke, who was killed later that same year in a shooting at another motel, in Los Angeles, didn’t live to see his song turn into a civil rights anthem. He could not have imagined how many changes were gonna come, including the election of an African-American president who ran on change some 44 years later.
Cooke might also have been baffled to see his song covered by Lambert, a 27-year-old white guy from San Diego, on Fox last week. But the producers of “American Idol” knew what they were doing. With his dyed black hair, eyeliner and black nail polish — and an Internet photographic trail of same-sex canoodling — Lambert was “widely assumed to be gay” (Entertainment Weekly), “seemingly gay” (The Times) and “flam-bam-boyantly queeny” (Rolling Stone). Another civil rights movement was in the house even if Lambert himself stopped just short of coming out (as of my deadline, anyway) in the ritualistic Ellen DeGeneres/Clay Aiken show-biz manner.
(More here.)
NYT
THE most potent word in our new president’s lexicon — change — has been heard much less since his inspiring campaign gave way to the hard realities of governing. But on Tuesday night, the irresistible Obama brand made an unexpected and pointed cameo appearance on America’s most popular television show, “American Idol.” In the talent competition’s climactic faceoff, the song picked for one of the two finalists, Adam Lambert, was Sam Cooke’s soul classic, “A Change Is Gonna Come.”
Cooke recorded it in January 1964. Some four months earlier he had been arrested when trying to check into a whites-only motel in Shreveport, La. “It’s been a long, long time coming,” goes the lyric. “But I know a change is gonna come, oh yes it will.” Cooke, who was killed later that same year in a shooting at another motel, in Los Angeles, didn’t live to see his song turn into a civil rights anthem. He could not have imagined how many changes were gonna come, including the election of an African-American president who ran on change some 44 years later.
Cooke might also have been baffled to see his song covered by Lambert, a 27-year-old white guy from San Diego, on Fox last week. But the producers of “American Idol” knew what they were doing. With his dyed black hair, eyeliner and black nail polish — and an Internet photographic trail of same-sex canoodling — Lambert was “widely assumed to be gay” (Entertainment Weekly), “seemingly gay” (The Times) and “flam-bam-boyantly queeny” (Rolling Stone). Another civil rights movement was in the house even if Lambert himself stopped just short of coming out (as of my deadline, anyway) in the ritualistic Ellen DeGeneres/Clay Aiken show-biz manner.
(More here.)
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