Showdown in the Big Tent
By CAITLIN FLANAGAN and BENJAMIN SCHWARZ
NYT
Los Angeles
THE attitude of white, liberal Hollywood toward African- American churches has long been one of almost participatory respect. Whether it’s Gospel Brunch at the House of Blues on Sunset Boulevard, or the Blind Boys of Alabama on the iPod, or a serious — reverential — mention of the Southern Christian Leadership Conference over dinner, the understanding is clear: the black church is a foundational institution in the history of the civil rights struggle, and its music (although it makes reference to Jesus Christ as a personal savior) is smoking hot.
It was only recently that the A-list discovered that this love is unrequited. Last month, Proposition 8 passed, making gay marriage illegal in California, and the demographic that lent insult to injury was the state’s African-American voters.
They came to the polls in record numbers to support Barack Obama, and they brought with them a fiercely held and enduring antipathy toward homosexuality: 7 in 10 blacks voted in support of traditional marriage. Whether that was the game-changer or not is a question for near-constant debate. Many gay activists have begun quietly to suggest that had Hillary Clinton been the Democratic nominee, Prop 8 would not have passed.
Of the values progressives hold dear, none can be as central or as cherished as the promotion of diversity. It is a word that has become almost a term of art. When a private school champions its embrace of “diversity,” parents understand that the admissions office is not dying to enroll the son of a white evangelical minister or the daughter of a founding partner of a white-shoe law firm. Rather, we know that the school makes an intentional effort to include children of certain minority groups among its student body, and that most important among those groups are African-Americans and the children of gay families.
(More here.)
NYT
Los Angeles
THE attitude of white, liberal Hollywood toward African- American churches has long been one of almost participatory respect. Whether it’s Gospel Brunch at the House of Blues on Sunset Boulevard, or the Blind Boys of Alabama on the iPod, or a serious — reverential — mention of the Southern Christian Leadership Conference over dinner, the understanding is clear: the black church is a foundational institution in the history of the civil rights struggle, and its music (although it makes reference to Jesus Christ as a personal savior) is smoking hot.
It was only recently that the A-list discovered that this love is unrequited. Last month, Proposition 8 passed, making gay marriage illegal in California, and the demographic that lent insult to injury was the state’s African-American voters.
They came to the polls in record numbers to support Barack Obama, and they brought with them a fiercely held and enduring antipathy toward homosexuality: 7 in 10 blacks voted in support of traditional marriage. Whether that was the game-changer or not is a question for near-constant debate. Many gay activists have begun quietly to suggest that had Hillary Clinton been the Democratic nominee, Prop 8 would not have passed.
Of the values progressives hold dear, none can be as central or as cherished as the promotion of diversity. It is a word that has become almost a term of art. When a private school champions its embrace of “diversity,” parents understand that the admissions office is not dying to enroll the son of a white evangelical minister or the daughter of a founding partner of a white-shoe law firm. Rather, we know that the school makes an intentional effort to include children of certain minority groups among its student body, and that most important among those groups are African-Americans and the children of gay families.
(More here.)
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