SMRs and AMRs

Monday, February 25, 2008

American Adam

Obama and the cult of the new.

John B. Judis
The New Republic
Published: Wednesday, March 12, 2008

When Barack Obama announced a year ago that he was running for president, I scoffed. How could a black man whose middle name is Hussein and who looks like he is 25 years old win the White House? To be sure, he was a U.S. senator, but he had been elected largely on a fluke when his toughest Democratic and Republican opponents were felled by scandals. "He'll fade by December," I assured anyone who would listen.

One year later, Obama is the front-runner for the Democratic nomination, having built a formidable coalition of whites and blacks, Democrats and independents, and even a few stray Republicans. As the only major candidate to oppose the Iraq war before it started, he appeals to the large number of Democrats who want the United States to withdraw. African Americans threw him their support after he demonstrated in Iowa that he could attract white votes. And college-educated whites have flocked to him en masse.

But Obama has done more than cobble together a political coalition. He has made himself into a political phenomenon, the likes of which the country has not seen since Ronald Reagan. He fills stadiums. His rallies--where he asks the crowd to "stand up for change" and it responds by shouting, "Yes we can!"--are like revival meetings. He has inspired thousands of volunteers and dramatically boosted turnout rates, particularly among young voters. Al Gore and John Kerry, the last two Democratic nominees, certainly never attracted this kind of following.

While I worry about Obama's inexperience, I haven't been immune to his charms. When I have gone to see him speak or watched him on television, he has invariably given more or less the same speech about "fundamental change" and "choos[ing] the future over the past." Yet, each time, I find myself listening raptly, even after the sixth or seventh reiteration of the same slogans and catchwords. It is partly his voice and his cadences, but there has to be more to it than that. And there is.

(Continued here.)

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