SMRs and AMRs

Tuesday, August 21, 2007

The Washington press: too dim to stay out of a three-card-monte game?

Goodbye to Newspapers?
By Russell Baker
New York Review of Books

When the Press Fails: Political Power and the New Media from Iraq to Katrina
by W. Lance Bennett, Regina G. Lawrence, and Steven Livingston
University of Chicago Press, 263 pp., $22.50

American Carnival: Journalism Under Siege in an Age of New Media
by Neil Henry University of California Press,326 pp., $24.95

1.

The American press has the blues. Too many authorities have assured it that its days are numbered, too many good newspapers are in ruins. It has lost too much public respect. Courts that once treated it like a sleeping tiger now taunt it with insolent subpoenas and put in jail reporters who refuse to play ball with prosecutors. It is abused relentlessly on talk radio and in Internet blogs. It is easily bullied into acquiescing in the designs of a presidential propaganda machine determined to dominate the news.

Its advertising and circulation are being drained away by the Internet, and its owners seem stricken by a failure of the entrepreneurial imagination needed to prosper in the electronic age. Surveys showing that more and more young people get their news from television and computers breed a melancholy sense that the press is yesteryear's thing, a horse-drawn buggy on an eight-lane interstate.

Then there are the embarrassments: hoaxers like Jayson Blair and Stephen Glass turn journalism into farce. The elite Washington press corps is bamboozled into helping a circle of neoconservative connivers create the Iraq war. What became of heroes? Journalists used to dine out on the deeds of Bob Woodward and Carl Bernstein during Watergate; of David Halberstam, Neil Sheehan, and Malcolm Browne in Vietnam; of "Punch" Sulzberger and Kay Graham risking everything to publish the Pentagon Papers. Instead of heroes, today's table talk is about journalistic frauds and a Washington press too dim to stay out of a three-card-monte game.

(More here.)

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